Sunday 29 October, 1.30pm
A working session on the role of, and the art of the accompanist.
Playing for singers - when to be a pianist and when to be an orchestra!
John Woods was born in Stirling, Scotland. After studying piano and bassoon at The Royal Scottish Academy of Music and Drama he was awarded scholarships from The Scottish Arts Council and The Ralph Vaughan Williams Trust to specialise in piano accompaniment at The Royal Northern College of Music in Manchester. He has since worked as a guest repetiteur at the R.N.C.M. and The Hong Kong Academy for Performing Arts. In 1992 he joined the staff of The Queensland Conservatorium, Griffith University as an accompanist and vocal coach, preparing many of its operas, including the Australian premiere of Britten’s “Billy Budd”, as part of the 1993 Brisbane Biennial Festival.
Engagements have taken him throughout Great Britain, Europe and Australia, accompanying singers and instrumentalists on the concert platform and in radio and television broadcasts. He has worked with some of the finest singers of the present generation including Joan Rodgers, Amanda Roocroft, Simon Keenlyside and in particular, Jane Eaglen.
He has accompanied mastersclasses given by several distinguished singers, including Dame Joan Sutherland, Dame Janet Baker, Dame Elisabeth Schwarzkopf, Sir Peter Pears and Luigi Alva, whom he has also accompanied in recital.
As Musical Associate for Granada Television, John Woods has credits on a wide range of arts and drama programmes which include “The Dame Joan Hammond Masterclasses”, “Coronation Street”, “Sherlock Holmes” and "Lost Empires” – the eight-hour serialisation of the J.B. Priestley novel in which he worked with the late Sir Laurence Olivier.